The Amplify Collective
Dark side of the arts: where fear and transparency collide
What are arts journalists to do when those we are trying to empower to speak up fear the repercussions?
Exit interview: Sue Roff, Art Projects Australia
Sue Roff shares with ArtsHub her learnings after 14 years on the job and her insights into the broader arts…
Theatre review: Dead Man's Cell Phone, Slingsby's Hall of Possibility
Wickedly Good Productions presents an intriguing, comedic and moving production on one phone’s ability to connect people.
Under a wet blanket: navigating the Australian arts ecosystem as First Nations artists
It's time that First Nations artists were allowed to be in the driver's seat and not confined to the passenger's.
Film review: Napoleon
Ridley Scott’s interest in ‘great men’ and strong female characters is once again on display, but even at 158 minutes,…
Performance review: Son and Wolfgang’s Magical Musical Circus, Playhouse Theatre, QPAC
A Circa double bill featuring new work from First Nations-led ensemble Circa Cairns, and a family-friendly reimagining of Mozart and…
Live Futures: an inquiry of queer sex and play
When we look for sex and play, where do we go? ArtsHub attends 'Live Futures: Queer Cultural Safety and Existential…
Theatre review: Shakespeare in the Garden – A Midsummer Night's Dream, Wollongong Botanic Garden
Merrigong Theatre Company's enchanting reimagining of Shakespeare's classic against a breathtaking natural backdrop.
Exhibition review: Studios: 2023, Adelaide Contemporary Experimental
A vivid, haunting and emotionally powerful collection that takes the viewer through a journey of diaspora, family history and connection…
Arts funding that honours artists rather than neoliberal markets
What the sector needs are separate funding streams for emerging and established artists that evaluate financial acquittals rather than applications.