The Amplify Collective
Film review: Audrey Napanangka
This Australian documentary of Audrey Napanangka provides an expansive yet intimate portrait of a family living between two worlds.
Indigenous art centres at the precipice of outdated approaches to funding
We love Indigenous art centres but are we really supporting them the best we can as a sector?
Light event review: Resonate and Mirror Mirror, Illuminate Adelaide
Innovative and enchanting, Moment Factory's 'Resonate' and 'Mirror Mirror' light up the city as part of Illuminate Adelaide.
What I’ve learned creating a Cultural Safety Document
Cultural safety is an ongoing commitment and it takes more than one person or document to get it right.
Exhibition review: What Is Your Gov'ment Name: Olana Janfa, Immigration Museum
Immerse yourself in the vibrant world of Olana Janfa's exhibition 'What's Is Your Gov’ment Name'
Theatre review: Is God Is, Melbourne Theatre Company
An enthralling fusion genre revenge tragedy highlighting Black excellence in theater.
Dance review: Jewels, Arts Centre Melbourne
Pretty and charming traditional ballet, though it lacks gravitas.
Exhibition review: Troy-Anthony Baylis, QUT Art Museum
’I Wanna Be Adorned’ by Troy-Anthony Baylis offers artefacts for generations of Australians to come.
Exhibition review: Willful Subjects, Nexus Arts
‘Willful Subjects’ is a bold exhibition that interrogates a difficult issue in a manner that encourages reimagination.
Performance review: Risky Business, Geelong Arts Centre
Performance pieces and a conversation about living with disability raised as many questions as it answered.