The Amplify Collective
Theatre review: Miss Peony, Belvoir Theatre
A generational and intercultural clash is played out in the competitive flurry of a beauty pageant.
Peers and portals
A triptych of vignettes about three of Sydney’s emerging oil painters and their voyages of identity.
Decolonising the written word
As an editor, a relatively new part of my brief is to be on the alert for colonial exceptionalism. What…
Exhibition review: Kayannie Denigan, Belconnen Arts Centre
‘Reflections of Country’ creates a space for Aboriginal women to connect with audiences and share their perspectives.
Performance review: City of Angels, Hayes Theatre
An irreverent pastiche of the Golden Age of Hollywood and the writers who created it.
Exhibition review: Two Girls From Amoonguna, ACMI
‘Two Girls From Amoonguna’ is about pushing through adversity and alchemising it into art that speaks to the spirit and joy of life…
Performance review: Adelaide Guitar Festival, Adelaide Festival Centre
Two performances showcasing guitar-based music in its various forms, from classical orchestras to death metal.
Exhibition review: Between Waves, ACCA
The third iteration of the Yalingwa series, ‘Between Waves’ resets binaries to find a delicate in-between space.
Film review: Audrey Napanangka
This Australian documentary of Audrey Napanangka provides an expansive yet intimate portrait of a family living between two worlds.
Indigenous art centres at the precipice of outdated approaches to funding
We love Indigenous art centres but are we really supporting them the best we can as a sector?