The Amplify Collective
Performance reviews: Myth, Propaganda and Disaster and the Heirs of America, and Le Freak, Melbourne Fringe Festival
A successful, spine-tingling sequel and good hour of circus entertainment.
Performance reviews: Access, Dougie Baldwin and Aza: stories of grief in diaspora, Melbourne Fringe Festival
An hour of anarchic clowning, emotional experimentation and diasporic mourning at Melbourne Fringe 2023.
Cultural collaboration between remote Kimberley art centres
Through collaboration and shared resources, remote Kimberley art centres strengthen cultural practice and promote a unique identity.
Interview with the creatives behind Sweet Juices
In conversation with Sydney-based co-directors Will Suen and Sejon Im, and their irreverent and rumbustious short film, ‘Sweet Juices’.
Just an Inquiry or a golden opportunity?
Arts sector leaders respond to the launch of the Commonwealth Government COVID-19 Response Inquiry.
Dance review: tiaen tiamen Episode 1, Dunstan Playhouse
Experimental and futuristic, but with its heart grounded in Indigenous culture, this work is the first part of a trilogy…
‘A glorious anomaly’: would the Sydney Opera House be built today?
Why does the Opera House remain an anomaly in Australia's cultural infrastructure landscape? And would it be built today?
Performance reviews: Big Dyke Energy and T4T: A Transgender Showcase, Melbourne Fringe Festival
An unforgettable stand-up comedy and powerful showcase with trans and non-binary cast.
Exhibition review: Djilba/Kambarang season, PICA
Three concurrent exhibitions from Wu Tsang, Sriwhana Spong and Sancintya Mohini Simpson at Perth Institute of Contemporary Art (PICA).
Exhibition reviews: Heavenly Beings: Icons of the Christian Orthodox World, Jean-Luc Moulène and Teams, and Jónsi Hrafntinna (Obsidian), Mona
The newest triple bill of exhibitions at Mona can make you believe in the transcendent power of art, all over…