The Amplify Collective
Film reviews: Flora on the Sand (1964) and Juvenile Jungle (1956), Japanese Film Festival
The feature of a retrospective at the 2023 Japanese Film Festival, Kō Nakahira was a filmmaker who interrogated themes of…
Diversity and the regional arts sector
Key administrators of arts in regional Australia speak about diversity in the regional arts sector and reflect on why we…
Are you an imposter?
Mob are allowed to ask respectful questions about where you come from and who your people are. This is so…
Video work review: Angela Tiatia: The Dark Current, ACMI
Something is amiss in paradise.
Performance reviews: The Coconuts – Brown on the Outside, White on the Inside and Breaking, Melbourne Fringe Festival
A punchy satirical musical comedy about being Brown in Australia and a compelling look into our relationship with the modern…
The power of portraiture and human connection
The Lester Prize encourages submissions to explore the depths and reaches of identity expressed through portraiture.
Prophecy comes full circle in Heirs of America
Dr Robert Reid’s sequel to Stephen Sewell’s post 9/11 classic comes at a time when so much of what the…
Exhibition review: Melanie Hava: Bugan Mungan, Cairns Art Gallery
A must-see nine-metre long painting by one of Tropical North Queensland’s celebrated artists.
Dance review: Shower Thots, Melbourne City Baths, Melbourne Fringe Festival
Dance at the pool offers amphibious playfulness and chlorinated whimsy.
Ballet review: A Midsummer Night's Dream, Canberra Theatre Centre
A charming and exquisite production, Queensland Ballet’s interpretation of the Shakespeare classic is likely to bring a little bit of…