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A dishelleved man in rumpled clothes (Dash Kruck) and a glamous, laughing, blonde-haired Dolly Parton in a low cut red dress (Tricia Paoluccio) in a scene from the musical 'Here You Come Again'.
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Here You Come Again review: Parton musical slaps too sweetly

How does this Dolly Parton musical handle the fine line between love letter and tacky tribute show?

An artist dress in a costume with cactus-like limbs sticking out of their back surrounded by a circle of onlookers. The room is awash in red light. SOFT CENTRE 2022.
News

SOFT CENTRE 2025 to take over Sydney with experimental art and electronic music

Expect international electronic sensations, home-grown immersive art pioneers and critical conversations at SOFT CENTRE.

a First Nations woman in a black shirt with white writing on it holds a microphone and smiles off to the side. Emma Donovan. Port Fairy Folk Festival. NAIDOC in the City
News

Port Fairy Folk Festival 2026 line-up first announcements

Before its landmark anniversary in 2027, PFFF has announced the first line-up of acts for the Labour Day weekend in…

The outside of a modern looking theatre at dusk. Canberra Theatre Centre.
Sponsored

‘More than half the town’: Canberra Theatre Centre at 60

For 60 years, Canberra Theatre Centre has been more than just a venue – it’s been a part of people’s…

A neon sign with the text ‘NEWS’ hanging on a thin pole in front of an arched doorway. There are soft blue and purple lights illuminating the space.
News

Arts news watch: this week’s trending topics

Creative Australia reinstates Khaled Sabsabi, authors join AI backlash, regional funding discrimination, and more.

A dark shot of an aerialist female
Opinions & Analysis

A million moments in mid-air: why Gravity & Other Myths, and our sector, need a new way forward

Touring live performance in today's world is getting harder, perhaps there's a better way of organising funding for the touring…

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Performance review: Elements of Freestyle, Joan Sutherland Theatre, Sydney Opera House

A fusion of urban arts and classical music with multigenerational appeal.

A fair-skinned woman, wearing black shorts and a black waistcoat, stands in a constricting shroud of paper (perhaps representing paperwork) on a bare, industrial-looking stage. This is Andi Snelling in her solo show 'Happy-Go-Wrong' at fortyfivedownstairs.
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Theatre review: Happy-Go-Wrong, fortyfivedownstairs

This exploration of chronic illness fuelled existential angst doesn’t make the leap from fringe festival circuit to the fortyfivedownstairs stage.

The close up focus of the eye of a green chameleon.
News

Arts news watch: this week’s trending topics

Stay up-to-date with our weekly summary of the most-read arts news stories on ArtsHub. This week: grief rave, ADC loses…

A photograph of a fair-skinned hand holding up a camera lens in front of a stark, misty winter landscape of bare trees, moorland and a river. The landscape is reversed in the lens. The photo is illustrating ArtsHub's weekly arts news watch column.
News

Arts news watch: this week’s trending topics

Stay up-to-date with our weekly summary of the most-read arts news stories on ArtsHub. Today: how artists are funding their…

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