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Only Bones. images shows torso of a man on his knees with arm raised and coloured lighting reflected off his clothes, against a black background. We cannot see his face.
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Performance reviews: Only Bones – Daniel Nodder, So..., Melbourne Fringe Festival

Two shows that explore some comedic freestyling using the body as a prop and a darkly absurd premise.

Mr. III三III. Image is three men with juggling pins. One is seated in front of a drum kit.
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Circus review: Mr.  III三III (Mr Three), NICA, Melbourne Fringe Festival

Office workers trying to break away from corporate, capitalist routines.

I am (not) this body. A short statured woman is standing on a plinth.
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Performance review: I Am (Not) This Body, Arts House, Melbourne Fringe Festival

A a cross-disciplinary exploration of the performer's relationship with her body in the world.

Potato Race. Two women stand back to back, each carrying a potato sack over their shoulders.
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Theatre review: The Appleton Ladies' Potato Race, Bille Brown Theatre

Mashing through the glass ceiling, one potato race at a time. 

Melbourne Fringe. Two women with bustieres and frill collars, plus high ponytails face the camera.
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Performance Reviews: HIGH PONY, LOOPS, Black Widow, Melbourne Fringe Festival

Four Melbourne Fringe Festival works show the range on offer, from comedy to circus, cabaret and street tours.

Tight Mums. Four women dressed in orange or black and red. One is seated, another is crouching over and the other two standing.

Comedy review: Tight Mums, Loose Units, Trades Hall, Melbourne Fringe Festival

Hysterical tongue-in-cheek Tight Mums dishing the dirt on married life and divorce. 

Tender. A tangle of naked bodies on a steel cube against a black background.
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Performance review: Tender, the Vault, Sydney Fringe Festival

This circus cabaret hybrid explores a disassembling of gender constructs in its fluid meld of bodies.

Shadow Boxing. A bare-chested man in profile takes a boxing stance.
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Theatre review: Shadow Boxing, Emerging Artists’ Sharehouse, Sydney Fringe

A raw and vivid production exploring the crossover between masculinity, sexuality, violence and identity.

the little mermaid. Woman with long red hair and mermaid costume stands on stage.
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Musical review: The Little Mermaid, Mandurah Performing Arts Centre, WA

Better than Broadway, this production was perfectly cast, exquisitely choreographed and aesthetically executed.

A conductor on the left conducting the Sydney Chamber Choir on the right.
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Music review: The Human Spirit, Sydney Conservatorium of Music

The human spirit is evoked through the human voice.

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