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Performance review: 360 ALLSTARS, Arts Centre Melbourne

Urban circus delights with musical and world-class acts.

Three white women in their 30s sit on a brown leather couch. On the left is a mousy woman reading a book, on the right a smiley one crocheting a blanket and in the middle a woman in a blue jumper looking troubled and staring at the camera. Share House: The Musical.
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Musical review: Share House: The Musical, Arts Centre Melbourne

The trials and tribulations of house sharing in your 30s come under the microscope in this sign of the times…

Priscilla Queen of the Desert. A couple of drag queens and a transwoman stand on stage in front of an orange backdrop and a prop bus. They are in extravagant costumes and are holding hands.
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Musical review: Priscilla Queen of the Desert – the musical, Mandurah Performing Arts Centre

This accomplished jukebox musical served as a reminder of how far society has (and hasn’t) evolved. 

QSO. Cathedral of St Stephen. Image is a blue washed interior of a large cathedral.
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Music review: Mozart's Mass, Cathedral of St Stephen

Mozart’s masterpiece, the great Mass in C Minor, was expertly presented in the atmospheric Cathedral of St Stephen.

The Roof is Caving In. La Mama Courthouse. Three young women on a stage draped in fabric. In the middle is a woman in white and light blue with her arms around a woman dressed in orange on the left and purple on the right. They are crouching under the middle woman's grasp and hold their belongings in boxes.
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Theatre review: The Roof is Caving In, La Mama Courthouse

A very topically-themed play about share housing.

VIVA. Elegant. In front of shiny red curtains, four female dancers pose on the stage, three downstage and one on a higher platform. They are all dressed in burlesque costumes, including thigh high boots.
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Performance and venue review: Elegant, VIVA

Melbourne has a new cabaret venue that offers food and drink as part of its entertainment offering.

World Problems. Image is a woman in grey standing on a stage in front of the mouth of a tunnel, that looks as if it's lined in slate. There are boulders at her feet and we can see the silhouetted heads of the front row of the audience from behind.
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Theatre review: World Problems, Southbank Theatre

A solo show that spans near and far, borne of personal and global events.

The Australian Ballet. Circle Electric. Bathed in a red glow a troupe of ballet dancers are assembled beneath a large neon hoop. The dancers are eclectic and in all sorts of shapes, one is held aloft surrounded by smoke.
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Dance review: Études/Circle Electric, Sydney Opera House

A double bill of dance that canvasses contemporary and classical works.

Heroic. Adelaide Symphony Orchestra. On the left is a shot chest up of a middle aged white man with grey hair wearing dark rimmed glasses, folding his arms and holding a conductor's baton. On the right is a younger dark haired man wearing a dark suit and tie over a white shirt, smiling at the camera and holding his hands in front of him.
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Music Review: Heroic, Adelaide Town Hall

Leading Sibelian, Osmo Vänskä conducted a vivacious performance of Sibelius and Beethoven.

Embodied. Two female dancers on a dark stage, under two stage lights with barn doors are dressed in tight white skivvies and grey shorts, and are stretching their right arms up in the air.
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Dance review: EMBODIED, Dancehouse

A double bill of dance captivated and entranced.

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