live performance
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Dance review: Perth Moves: Manifest, Forrest Place, Perth Festival
Moroccan-Belgian choreographer Sidi Larbi Cherkaoui brings his creative vision to Perth.
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Theatre review: The Christian Brothers, Holden Street Theatres, Adelaide Fringe Festival
A well-executed and chilling account of Catholic education in days gone by.
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Theatre review: Criminal Outsider, various venues, Adelaide Fringe
Never underestimate the power of a woman.
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Music review: The Rite of Spring, Concert Hall, QPAC
Works that changed the course of modern music, alongside some bold reimagining, created a successful opening for Queensland Symphony Orchestra’s…
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Theatre review: Honour, Red Stitch Actors’ Theatre
An excellent production of a 30-year-old play, but it does feel a bit dated.
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Theatre review: Song of First Desire, Belvoir St Theatre
A compelling play about the inheritance of fascism in Spain.
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Missy Higgins, Hoodoo Gurus, The Angels, Kate Ceberano and more set to rock the Mundi Mundi Bash
The popular outback music festival is at near capacity, instilling confidence in live music events.
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Ballet review: Nijinsky, Regent Theatre
The Australian Ballet is in its element for John Neumeier's 'Nijinsky'.
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Opera review: Candide, Joan Sutherland Theatre, Sydney Opera House
Bernstein’s crowd-pleasing comic operetta will have audiences laughing at the absurdity of extreme ideas.

Cabaret review: Bite, The Garden of Unearthly Delights, Adelaide Fringe
A queer 'spiegeltent style' cabaret celebrating sex positivity in the face of growing homophobic hate globally.