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ADELAIDE FRINGE FESTIVAL REVIEW: 1000 Years of German Humour

Adelaide Fringe Festival's 1000 Years of German Humour brings plenty of humour to the soul and provides a chance to…

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ADELAIDE FRINGE FESTIVAL REVIEW: Make Me Honest, Make Me Wedding Cake.

'Make Me Honest, Make Me Wedding Cake.' is showing at The Stables, just behind The Stag Hotel in the East…

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ADELAIDE FRINGE FESTIVAL REVIEW: Autobahn

'Autobahn' is comprised of six sketches of two people travelling in a car and the discussions that occur between them.

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ADELAIDE FRINGE FESTIVAL REVIEW: After the End

But for the tiered seating that retreats from the underdressed stage, when entering the theatre, one might make the mistake…

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ADELAIDE FRINGE FESTIVAL REVIEW: Taxing Lyrical - Lehmo

The Rhino Room in Adelaide’s East End is the perfect venue for any one man comedy show and Lehmo’s Taxing…

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ADELAIDE FRINGE FESTIVAL REVIEW: I Have a Dream

Opening night for Movin’ Melvin Browns I Have Dream (Soul to Soul) show was at the Norwood Live venue, a…

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ADELAIDE FRINGE FESTIVAL REVIEW: A Company of Strangers

'A Company of Strangers' is a cabaret that is showing in The Spiegeltent, which is a beautiful venue$$s$$ intimate, but…

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ADELAIDE FRINGE FESTIVAL REVIEW: Sherlock Holmes & the Saline Solution

The lads from Sound & Fury would like to have us believe that they’re idiots with nothing to say.

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ADELAIDE FRINGE FESTIVAL REVIEW: Scarborough

Scarborough performed at the Adelaide Fringe Festival is directed by Martha Lott, written by Fiona Evens and performed by Emily…

Features

SYDNEY FESTIVAL: Scott Wright & The Nargun and the Stars

Scott Wright co-founded visual and physical theatre company ERTH in Ballarat in 1990. The successful company is now housed in…

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