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Cube structure covered with photographs and cut out of woman in gallery environment. Anne Zahalka
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Exhibition review: ZAHALKAWORLD, NAS Gallery

A stunning piece of curation, delivered with such ease, while allowing the viewer to linger over, and rethink, tired national…

A scene from 'Jean Paul Gaultier's Fashion Freak Show' at Brisbane Festival, featuring an array of performers dressed in colourful designs posing on a catwalk, surrounded by seated audience members.
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Festival review: Jean Paul Gaultier’s Fashion Freak Show, South Bank Piazza

This semi-autobiographical stage show exploring the French fashion designer’s life and career is visually splendid but, ironically, lacking in theatrical…

An illustration line drawing of a man's torso with a Polaroid around his neck. He is carrying a photo of his face. Tony Woods.
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Exhibition review: Tony Woods, Magma Galleries

A slick Melbourne gallery celebrates the life and works of a staggeringly prolific artistic chameleon.

Fungi Futures mushrooms glowing yellow in a green growing environment.
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Talk review: Fungi Futures, Now or Never 2024

Fungi Futures invited Melbourne audiences to discover the hidden properties of fungi and their implications for the planet's survival.

Banksy. Image is a stencil on a wall of a soldier spread against the wall with his arms up while a young girl in a pink dress frisks him and a broken rifle is next to her.
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Exhibition review: The Art of Banksy: Without Limits

Banksy's extraordinary work to date is brought together in this unofficial exhibition. It's wonderful for viewers, but what would the…

‘No Vacancy Annual’ at No Vacancy Gallery in Melbourne’s central business district. The concrete and industrial gallery space is filled with paintings and drawings on its white walls, with smaller sculptures and objects on display on white plinths and raised metal platforms.
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Exhibition review: No Vacancy Annual, No Vacancy

The biggest group exhibition at No Vacancy showed a full spectrum of local talent.

Mindy Meng Wang and Monica Lim, ‘Guài 怪’, installation view as part of ‘SCI-FI: Mythologies Transformed’. An installation of three video scenes that are interactive with a participant standing in front of it with arms outstretched, seemingly controlling a digital avatar.
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Exhibition review: SCI-FI: Mythologies Transformed, Science Gallery Melbourne

Disrupting gender and racial stereotypes in sci-fi.

A large tapestry affixed to a wall that looks like stain-glass.
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Exhibition review: Diana Wood Conroy: An Archaeology of Woven Tapestry, Wollongong Art Gallery

Woven tapestries, drawings and paintings from 60 years of Diana Wood Conroy’s life as an artist.

A number of small ceramic artwork are attached to two white walls.
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Exhibition review: Searching Chords: Susie Choi, Mitchell Fine Art

Through her porcelain slip-cast inflatables, Susie Choi captures the zeitgeist of a generation.

‘Candice Lin: The Sex Life of Stone’, installation view at MUMA. An installation resembling three work stations with different lab equipment and large ceramic vessels beside each station. The space is filled with natural light thanks to a floor to ceiling window on the left side. The walls of the gallery space are paintings in a dark mahogany colour.
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Exhibition review: Candice Lin: The Sex Life of Stone, MUMA

Mineral politics, animal kinship and dark demonic romance come together in the work of Chinese American multidisciplinary artist Candice LIn.

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