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Mindy Meng Wang and Monica Lim, ‘Guài 怪’, installation view as part of ‘SCI-FI: Mythologies Transformed’. An installation of three video scenes that are interactive with a participant standing in front of it with arms outstretched, seemingly controlling a digital avatar.
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Exhibition review: SCI-FI: Mythologies Transformed, Science Gallery Melbourne

Disrupting gender and racial stereotypes in sci-fi.

‘Candice Lin: The Sex Life of Stone’, installation view at MUMA. An installation resembling three work stations with different lab equipment and large ceramic vessels beside each station. The space is filled with natural light thanks to a floor to ceiling window on the left side. The walls of the gallery space are paintings in a dark mahogany colour.
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Exhibition review: Candice Lin: The Sex Life of Stone, MUMA

Mineral politics, animal kinship and dark demonic romance come together in the work of Chinese American multidisciplinary artist Candice LIn.

‘(SC)OOT(ER)ING around Su san Cohn and Eugenia Raskopoulos’, installation view at TarraWarra Museum of Art. On the left is a red neon installation of cardiograms and to the left is a metal installation of three poles with doughnut bracelets. In the centre are a series of square surfaces lying on the floor.
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Exhibition review: (SC)OOT(ER)ING around, TarraWarra Museum of Art

Matriarchal artists Su san Cohn and Eugenia Raskopoulos join forces in an expertly curated exhibition at TarraWarra.

Ukraine Guernica. Image is a painting of a wartorn destruction with a large teddy bear sitting in the middle and a skull floating in the right hand top corner.
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Exhibition review: George Gittoes: Ukraine Guernica, Hazelhurst Arts Centre

The desolation and insanity of war is on stark display in this powerful exhibition.

Installation view of ‘The same crowd never gathers twice’, Buxton Contemporary, the University of Melbourne, 2024. Featuring Cate Consandine, ‘RINGER’, 2024. Image: Courtesy of the artist and Sarah Scout Presents. Photo: Christian Capurro. Three channel video showing roller derby players in a blue and purple hue.
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Exhibition review: The same crowd never gathers twice, Buxton Contemporary

Five installations and video works with keen spatial awareness, but where is “the crowd”?

Image is a dark gallery with a shiny wooden floor and a white box seat. On the walls are two 3D pieces, one a cupboard like work and the other comprising abstract faces.
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Exhibition review: Odalala, nireekshane and Uyirvu, Arts House

Australian and international artists examine histories of caste, migration, gender and sexuality.

Sea, Salt and Silk. Image is an Arctic shoreline with a silhouette of a woman carrying a Perspex sheet.
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Multimedia review: Sea, Salt and Silk, Abbotsford Convent

An immersive event combining live sound, video and participatory installations with works using paper and salt.

brightly coloured sculptures suspended from ceiling in dark room. Artist Caroline Rothwell
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Exhibition review: Ross & Rothwell: in the same boat, Ngununggula

Joan Ross and Caroline Rothwell make for a perfect pairing, in an edgy exhibition that rattles colonial history and legacies.

Izzy Faith V. Image is a 3D illustration of a demon woman with pink wings and antennas and an abundance of green hair. She is sticking her tongue out.
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Exhibition review: Demonised: Izzy Faith V, Honey Bones Gallery

Melbourne artist combines cultures, technology and media to create an exhibition of high-quality, demonic pop art.

sculpture installation in gallery with tables and lights and termite mounds. Nicholas Mangan.
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Exhibition review: Nicholas Mangan: A World Undone, Museum of Contemporary Art Australia

A thought-provoking exhibition by Nicholas Mangan that makes us question our relationship with the natural world – and at what…

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