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Exhibition review: Nusra Latif Qureshi: Birds in Far Pavilions, Art Gallery of New South Wales
An exhibition that references and utilises past practices to reflect on current preoccupations.
Exhibition review: Masami Teraoka and Japanese Ukiyo-e Prints, NGA
Japanese master woodblock printmaker Masami Teraoka still offers contemporary lessons.
Exhibition review: Lindy Lee’s Ouroboros and exhibition, NGA
Lindy Lee pulls off $14 million sculpture commission 'Ouroboros' at the National Gallery of Australia.
'Where do they all belong?' Adam Elliot on his inspiration and first solo exhibition
How Oscar-winning Australian artist Adam Elliot uses art to highlight neurodiversity and mental health and promote his own mental wellbeing.
Sharing stories and culture: Filipino and First Nations printmaking initiative takes off
Hosted by NorthSite in Gimuy/Cairns, ‘Linear Horizons’ aims to foster stronger intercultural connections through printmaking.
Exhibition review: Bandarr Wirrpanda and Yinimala Gumana: Timeless, MAGMA Galleries
MAGMA Galleries showcases spectacular contemporary Indigenous Australian art
Exhibition review: Lesley Dumbrell: Thrum, five decades of practice at AGNSW
'Thrum' perfectly describes the consistent vibration and pure pleasure at the heart of Dumbrell's practice for five decades.
Exhibition review: The Art World Came to Us: Macquarie Galleries, Ngununggula
A look a how three women gallery directors nurtured and shaped Australian art history.
NAS Open Day the first step in nurturing professional careers
Get your head around studio learning, and find your community, at NAS Open Day 2025.
Can you sustain a studio practice in Tasmania?
Weighing up the challenges with the wins, ArtsHub speaks with four artists on placing their studio practice in Tasmania.