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Two figures, Ahunim Abebe, Mark Saturno are crouched on the left hand bottom corner of the stage. In the background are 3 silhouette figures with pale light behind them.
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Theatre review: Jack Maggs, Adelaide Festival Centre

Based on the novel by Peter Carey, this production is a fine new work in the Australian theatrical canon.

The five-person band of RocKwiz Orkestra on stage.
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Performance review: Never Mind the Buzzers, Here’s RocKwiz LIVE!, West Gippsland Arts Centre

The original TV show has become a popular touring franchise.

A bar scene in the production of 'Sweat'.
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Theatre review: Sweat, Wharf 1 Theatre

A play about hardscrabble small-town Americans by a Pulitzer-winning playwright is grimly prescient.

Two men. One is standing (Drew Forsythe), one is seated at a piano (Phil Scott) in a production of 'The End of the Wharf as we know it.'
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Performance review: The Wharf Revue: The End of the Wharf As We Know It, Seymour Centre 

After 25 years, The Wharf Revue – famous for lampooning Australian politicians – is presenting its final show.

A woman in black, with sunglasses, Pamela Rabe, is standing in a doorframe of a production of 'August. Osage County.'
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Theatre review: August: Osage County, Belvoir Street Theatre

Belvoir Street tackles one of the century’s great American plays in its final offering for 2024.

The cast of 'Jesus Christ Superstar'. A group are assembled around a central figure, a man. The is a large cross formation below them that also acts as a table.
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Musical review: Jesus Christ Superstar, Capitol Theatre

Go for the voices, not the storytelling.

The 11 member cast of 'Peter and the Starcatcher' all in bright colourful costumes.
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Performance review: Peter and the Starcatcher, Arts Centre Melbourne

The prequel to 'Peter Pan' is fun for all the family.

The cast of 'Lucia di Lammermoor on stage. Large number of people in period costume.
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Opera review: Lucia di Lammermoor, Her Majesty’s Theatre

Much darkness and just a little light in State Opera South Australia’s revival of Donizetti's grim tragedy.

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Theatre review: Waiting for Godot, The Street Theatre

A powerful take on a 20th century classic of the Western theatre canon.

A woman with bleached blonde hair and 19th century clothing is shouting with her right arm raised. My Brilliant Career.
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Musical review: My Brilliant Career, Sumner Theatre

It's an all-singing, all-keyboard playing and totally exuberant Sybylla Melvyn.

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