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![Four figures dressed like cowboys emerge from a yellow-lit haze. A woman kneels in the foreground over a backpack. This is a scene from the 2024 production of NORPA's 'Wildskin'. Photo: Kurt Petersen.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/09/20240906-NORPA-Wildskin-2024-Photo-KurtPetersen-DSC07172-copy.jpg?w=310)
From proscenium arch to place-based: reimagining Wildskin
Adapting an existing work for an entirely new setting is not without its challenges, but overcoming such challenges leads to…
![A woman prepares for an acting school audition.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/09/filming-4371566_1280.jpg?w=310)
Are auditions for acting schools fair?
Auditions at acting schools have become a mini industry. But many are concerned about the practice's economics and accessibility.
![Jessica Cottis, a fair-skinned woman with long dark hair tied back behind her head, conducts the Canberra Symphony Orchestra. She wears a black jacket over a white shirt, and holds a white baton in her raised right hand.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/08/Jessica-Cottis_crMartinOllman-1.jpg?w=310)
Celebrating connection and story: Canberra Symphony Orchestra’s 75th anniversary season
Jessica Cottis, Artistic Director and Chief Conductor of the CSO, discusses her 2025 season and the importance of commissioning new…
![The cast of Trent Dalton's Love Stories is preparing for their Brisbane Festival debut.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/08/FG_mJgQQ-e1724718269669.jpeg?w=310)
Trent Dalton's Love Stories – stage adaptation premieres at Brisbane Festival
After the immense success of 'Boy Swallows Universe', Dalton returns to the Brisbane stage with a new theatrical adaptation.
![A woman in a red top and blue pleated skirt, facing away from the camera, balances atop a cyr wheel (a piece of circus apparatus) while spinning two hula hoops on each outstretched arm. In the background, a large audience watches on.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/08/NationalCircusFest_Credit_CeciliaMartinPhotography-.jpg?w=310)
The National Circus Festival: growing grassroots circus in the regions
With an emphasis on circus training and community-building as much as entertainment, the National Circus Festival is a major event…
![Australian athlete Raygun gave a controversial breakdancing performance in Paris, 2024.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/08/drew-dizzy-graham-PVyhz0wmHdo-unsplash-e1723935113898.jpg?w=310)
Raygun, breakdancing and online hate: what next for Australian street dancers?
Raygun's controversial Olympics breakdancing performance has triggered online bullying for the Australian dance community.
![Maude Davey in 'Performing the Monster'. Davey will be delivering a master class as part of the Festival of Australian Queer Theatre. A pale-skinned woman on stage holding a microphone up to her lips. She is wearing smokey eyeshadow and black gloves with a white frilly gown.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/08/270048538_10226549346823725_8054337764644518172_n-e1723691969425.jpg?w=310)
First-ever Festival of Australian Queer Theatre welcomes authentic disruption
Curator Dr Robert Reid explains the thinking behind a festival dedicated to Australian queer theatre that brings together makers and…
![Artist Chris Dyke, performing with the signature Banksy heart balloon.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/08/gSPsWXsq-e1723517949186.jpeg?w=310)
Banksy inspires innovative new dance work
A decade-long collaboration sees Chris Dyke, a choreographer and dancer with Down syndrome, building a new work inspired by world-famous…
![A courtyard of a performing arts space seen through an archway. The Pleasance.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/08/Pleasance-Courtyard-2.jpg?w=310)
Edinburgh Festival Fringe: blood, sweat, tears and a truckload of money
Have the costs of taking a show to the biggest Fringe Festival on the planet finally become too much?
![Silence & Rapture. A female dancer with slicked back dark hair has one leg bent with her foot touching her other knee and one arm stretching up and the other across to a bald headed man standing and playing a double bass. They are in a wharf building converted to a studio/stage space.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/08/ACO_SDC_Silence-and-Rapture_credit_Daniel-Boud_2MB-e1722816829902.jpg?w=310)
The rapturous reunion of the Sydney Dance Company and Australian Chamber Orchestra
Sydney Dance Company has teamed up with the Australian Chamber Orchestra once more on a heavenly tour.