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A two-storey structure, with separate rooms. There is a conductor at the front.
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Opera review: Innocence, Festival Theatre, Adelaide Festival

A complex and multilayered production about collective guilt and trauma that deployed different languages and singing styles.

Opera for the Dead performance shot, featuring two movable stages, each with a performing standing at its centre, slightly obscured by black stingy curtains. The image is dark other than the stage being slightly illuminated from below.
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Performance review: Opera for the Dead (祭歌), Asia TOPA 2025

A cyber-opera that deserves the world stage.

A crowd scene of 'Candide'. The dancing cast is dressed in period costume. There is a faded caravan behind them.
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Opera review: Candide, Joan Sutherland Theatre, Sydney Opera House

Bernstein’s crowd-pleasing comic operetta will have audiences laughing at the absurdity of extreme ideas.

Inside the Royal Exhibition Building.
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Opera review: Die Meistersinger von Nürnberg, Royal Exhibition Building

Melbourne Opera stays well within its comfort zone for Wagner’s epic comedy.  

Career Advice

So you want my arts job: Librettist

If you possess humility, audacity, originality and passion, becoming a librettist may suit you, says playwright, director, dramaturg and librettist…

An opera diva in a big blue dress has her arms up in the air and a small orchestra behind her. Opera For All. Dimity Shepherd.
News

Providing a pathway to the ultimate art form – Opera for All

The Opera for All concerts are being seen all over the globe. This week it was Melbourne's turn.

Man and woman singing tragic opera on stage. La Traviata
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Opera review: La Traviata, Opera Australia, Joan Sutherland Theatre

Soprano Samantha Clarke ignites this current production of Verdi's masterpiece.

Interior cutout of a two-storey house in a production of 'The Barber of Seville'. There are people crowded in each room.
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Opera review: The Barber of Seville, Joan Sutherland Theatre, Sydney Opera House

Fast-paced and hilarious, Opera Australia’s 'The Barber of Seville' will please opera buffs and newcomers alike. 

Two men with heavy stage makeup. Siefgried and Roy
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Opera review: Siegfried & Roy: The Unauthorised Opera, Sydney Festival

Definitely camp. Definitely a folly. This new work delivers all of opera’s hallmarks with casual appeal.

A sequence from Tra Mi Dinh’s 'Somewhere between ten and fourteen', which features in Sydney Dance Company's 2025 season. The photo depicts four barefoot dancers in blue coveralls dancing on a blue-lit stage. The dancer on the far left has their legs spread, their right arm raised and their left arm extended horizontally; the dancer on the right, who is the focus of the focus, stands in a half-crouch, her arms extended to the right and her right foot bent so that the side of the foot rather than her sole is touching the stage.
Features

ArtsHub’s 2025 season guide to the performing arts

Our rolling guide to the 2025 season announcements you may have missed.

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