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Celebrating connection and story: Canberra Symphony Orchestra’s 75th anniversary season
Jessica Cottis, Artistic Director and Chief Conductor of the CSO, discusses her 2025 season and the importance of commissioning new…
Schooling music for the young
'Music in Me’ is a mentoring program that teaches the teachers.
Music review: Ben Frost/CORIN/ Eartheater/Gabber Modus Operandi, Now or Never 2024
An epic takeover of the Royal Exhibition Building took full advantage of the massive space with an incredible lineup.
Managing Director leaves MSO: Peter Garrett to conduct independent external review
Sophie Galaise has left the MSO after the Orchestra’s musicians made a statement of 'no confidence' in senior management.
Festival review: An Evening Without Kate Bush, Edinburgh Festival Fringe
Kate Bush may not be present on stage but Sarah-Louise Young does an excellent job of channelling the singer.
Music review: Harry Potter and the Half-Blood Prince in Concert, Adelaide Entertainment Centre
The musical world of 'Harry Potter and the Half-Blood Prince' becomes ever darker as our hero makes preparations for the…
Musical review: Murder for Two, Arts Centre Melbourne
Premiered in Australia in Sydney last year, this musical returns to bamboozle and amuse another round of crime mystery fans.
Theatre review: The Heart Whispers and Whirls, Shirley Burke Theatre
A multidisciplinary ensemble of international women sharing their heritage through poetry, folk songs, dance and shadow puppetry.
Bluesfest axed after 2025, ending its 36-year run
News of Bluesfest's closure shocked some while others see it as inevitable due to shift in demand.
First Nations choir Marliya to take ‘Spinifex Gum’ to London
Making their international debut, the Cairns-based choir Marliya will perform the critically acclaimed ‘Spinifex Gum’ at the Barbican in October.
