Search Results
Exhibition review: Yuriyal Bridgeman: yubilong(mi)bilongyu, Griffith University Art Museum
This survey investigates the significant mark Yuriyal Bridgeman has made on Australia’s post-colonial arts landscape.
$70,000 national prize calls for ceramicists, among other artists
The Muswellbrook Art Prize is among the oldest, richest and most respected in Australia, and it keeps its finalist pool…
Exhibition review: Mark du Potiers: Some Days My Skin Just Isn’t So Thick, Queensland Multicultural Centre
Queer Asian Australian artist, Mark du Potiers, delicately deconstructs discrimination through his assemblages and needlework.
Exhibition Review: Tarik Ahlip: Kara Toprak, Schmick Contemporary
This exhibit brings the transformative relationship between writing and sculpture to its pure physical presence – gilded by gold and…
Exhibition review: Glen Downey, Isabella Hayes, Kate Pullen, Dan Go, Nyssa Braid, Off The Kerb Gallery and Studios
Independent Melbourne art gallery again proves its finger is on the pulse.
Exhibition review: Carbon_Dating, Caloundra Regional Gallery, Sunshine Coast
A group exhibition exploring Australian native grasses.
Exhibition review: Nusra Latif Qureshi: Birds in Far Pavilions, Art Gallery of New South Wales
An exhibition that references and utilises past practices to reflect on current preoccupations.
Exhibition review: Joan Ross, Those trees came back to me in my dreams, National Portrait Gallery
Joan Ross is a master at contextualising and recontextualising Australia’s colonial past, with an edginess for today’s viewing audiences.
Egyptian fans account for biggest cultural spend in 23-year history
The Egyptian blockbuster exhibition delivers a $27.7 million boost to Canberra – the highest in the National Museum’s history.
Exhibition review: Māreikura-Ka rere te rongoā | the medicine flows, Immigration Museum
A multimedia exhibition that showcases the strength of the Māori matriarchy.
