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Installation review: BIG Sculpture, St Kilda Trail
A perfect summer's day activity: public art finding in a beachside location.
Exhibition title and full artist list announced for the TarraWarra Biennial 2025Â
All artists have now been announced for next year's TarraWarra Biennial, curated by Kimberley Moulton.
Unpacking the 11th Asia Pacific Triennial, and its bounceback
Sensitivity over the spectacular makes for a more nuanced survey of the region.
Exhibition review: Brian Robinson and Prita Tina Yeganeh, Onespace
An unlikely but beautiful pairing of exhibitions that works.
Exhibition review: Cao Fei: My City is Yours, AGNSW
An exhibition that explores where reality, fantasy and the cyber worlds become indistinguishable.
‘Banana-taped-to-wall’ artwork no longer a joke after sale turns it into jarring symbol of societal inequity
A cryptocurrency millionaire’s actions after purchasing a famous conceptual artwork has transformed this piece into a disturbing commentary on widening…
Exhibition review: Julie Mehretu: A Transcore of the Radical Imaginatory, MCA
Only in part does Julie Mehretu's exhibition stand up to her reputation as 'one of today's most original and thought-provoking…
Exhibition review: Yuriyal Bridgeman: yubilong(mi)bilongyu, Griffith University Art Museum
This survey investigates the significant mark Yuriyal Bridgeman has made on Australia’s post-colonial arts landscape.
Exhibition review: The Limits of My Language Are the Limits of My World, Gertude Glasshouse
Emerging Curator award-winner Annabel Brown blends art with academia to create a fascinating but muddled message.Â
Exhibition review: Mark du Potiers: Some Days My Skin Just Isn’t So Thick, Queensland Multicultural Centre
Queer Asian Australian artist, Mark du Potiers, delicately deconstructs discrimination through his assemblages and needlework.
