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A large tapestry affixed to a wall that looks like stain-glass.
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Exhibition review: Diana Wood Conroy: An Archaeology of Woven Tapestry, Wollongong Art Gallery

Woven tapestries, drawings and paintings from 60 years of Diana Wood Conroy’s life as an artist.

‘Candice Lin: The Sex Life of Stone’, installation view at MUMA. An installation resembling three work stations with different lab equipment and large ceramic vessels beside each station. The space is filled with natural light thanks to a floor to ceiling window on the left side. The walls of the gallery space are paintings in a dark mahogany colour.
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Exhibition review: Candice Lin: The Sex Life of Stone, MUMA

Mineral politics, animal kinship and dark demonic romance come together in the work of Chinese American multidisciplinary artist Candice LIn.

‘(SC)OOT(ER)ING around Su san Cohn and Eugenia Raskopoulos’, installation view at TarraWarra Museum of Art. On the left is a red neon installation of cardiograms and to the left is a metal installation of three poles with doughnut bracelets. In the centre are a series of square surfaces lying on the floor.
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Exhibition review: (SC)OOT(ER)ING around, TarraWarra Museum of Art

Matriarchal artists Su san Cohn and Eugenia Raskopoulos join forces in an expertly curated exhibition at TarraWarra.

Black twisted wave like sculpture suspended from ceiling in gallery setting. Lucy Irvine.
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Exhibition review: Materiality...but not as we know it, CMAG

Thought-provoking exhibition looks at materiality and function.

‘Firelight Labyrinth’ underneath Marvel Stadium, as part of Firelight Festival. Photo: ArtsHub. A dark underground carpark space filled with volumetric displays of LED lights, glowing in light blue.
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Immersive experience review: Firelight Labyrinth, Marvel Stadium

A visual and audio experience inspired by the Greek myth of Theseus delivers on some fronts, but falls behind competitors.

‘Joke Taxonomy’, installation view at 138 Gallery. Photo: Supplied. A brown wooden panelled gallery space with readymade objects including a pair of pink Dino chairs, a litter box, and a small trophy.
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Exhibition review: Joke Taxonomy, 138 Gallery

Here, humour comes easily but the provocation lingers.

There are four iillustrations by the artist Alphonse Mucha. Two smaller pictures sit on top of each other and two bigger pictures are on either side.
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Exhibition review: Alphonse Mucha: Spirit of Art Nouveau, Art Gallery of New South Wales

This comprehensive exhibition showcases 200 Mucha works, from posters to sculpture, jewellery and more.

Rhodes. Image is a surreal piece of art in a golden frame, a picture of a young woman in a black cloak holding a closed fan in a red gloved hand. Her face is painted blue, yellow and white and there is a perspex or glass box around her head. She is standing in front of a block of flats.
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Exhibition review: Katrina Rhodes and Stefano Ives, Fortyfivedownstairs

Two virtuosos of Australian surrealist art share a gallery in Melbourne’s CBD with captivating results.

Ukraine Guernica. Image is a painting of a wartorn destruction with a large teddy bear sitting in the middle and a skull floating in the right hand top corner.
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Exhibition review: George Gittoes: Ukraine Guernica, Hazelhurst Arts Centre

The desolation and insanity of war is on stark display in this powerful exhibition.

Installation view of ‘The same crowd never gathers twice’, Buxton Contemporary, the University of Melbourne, 2024. Featuring Cate Consandine, ‘RINGER’, 2024. Image: Courtesy of the artist and Sarah Scout Presents. Photo: Christian Capurro. Three channel video showing roller derby players in a blue and purple hue.
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Exhibition review: The same crowd never gathers twice, Buxton Contemporary

Five installations and video works with keen spatial awareness, but where is “the crowd”?

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