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A crouching crowd all in black wearing gold masks.
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Performance review: Mysterion: Descent Into Hades, Hellenic Museum

An immersive, interactive production where the audience has to undergo quests to unlock the secrets of immortality.

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Theatre review: Little Blue Dot, Monash University

What do a team of astrophysicists have to do with making children’s theatre?

Two women wearing bedazzled gloves are holding onto their stretched out legs that are shod in silver high heels.
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Dance review: Wet Hard Long, Dancehouse

Contemporary dance performed in eight-inch heels is spellbinding.

Two men dressed casually in hoodies stand between another man who is stuck inside a tall, caged structure.
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Theatre review: Famished Future Feeders, New Benner Theatre, Metro Arts

Exploring diverse elements of a darkly dystopian future, this well-staged production features promising new talent. 

A woman dressed in pants and a long coat is standing in front of a large screen with an image of a close up headshot of a fuzzy pink and long-haired creature with fangs.
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Theatre review: Dracula, Roslyn Packer Theatre

Director Kip Williams returns with his third 'cine-theatre' production of a Gothic trilogy.

A space man is walking on surface of a moon. The lighting is a yellow haze. In the foreground are people seated, looking up at him in the spherical shape of the planetarium.
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Sonic and graphic review: Pink Floyd Dark Side of the Moon, Scienceworks Planetarium

Pink Floyd's iconic album plays to space graphics in the immersive stereo surround of the Planetarium.

Two panels. On the left is a blonde woman with glasses and a black top. On the right is a cover of a book with 'The Cautious Traveller's Guide to the Wastelands' written in black. The cover is black and tan with a picture of an incoming train.
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Book review: The Cautious Traveller’s Guide to the Wastelands, Sarah Brooks

A sweeping novel of strange lands, mysterious characters, and a train journey that will change the world.

Two panels. On the left is a headshot of a man. He's tanned with short cropped grey hair and wearing a black top. On the right is the cover of a book with 'The Afterlife Confessor' in neon pink and 'Last call for tell all' in neon blue. There is a picture of tombstones in a graveyard in pink and blue shades.
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Book review: The Afterlife Confessional, Bill Edgar

A unique and heady mix of bereavement, repentance, revenge and regret.

A man and a woman are sitting on the ground holding each other. She is crying.
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Theatre review: Who's Afraid of Virginia Woolf?, Comedy Theatre

Edward Albee's excoriating exploration of an embattled marriage returns for a modern spin.

Gallery with grey walls displaying bright tropical paintings by Gauguin.
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Exhibition review: Gauguin's World, National Gallery of Australia

Gauguin may have lived abroad, but did he ever really leave Paris? This exhibition explains.

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