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Exit Interview: AGSA's Lisa Slade on blurring the zones
For Lisa Slade education and curatorial leadership have always blurred. ArtsHub speak with her on leaving the Art Gallery of…
What AI means for museums, where big decisions loom large
AI is here and Australian cultural institutions must get in on the action, while also ensuring they can keep control…
Mona's big flex – how David Walsh wrote himself into the books
'Namedropping' is an all-consuming exhibition about questioning status, but by doing so, Mona owner David Walsh has cunningly bolstered his…
Has RISING risen only to face a future fall?
While celebrating record attendance and strong sales, RISING’s future still seems uncertain.
What a surge in art prize entrants reveals about arts participation in Australia
Many Australian art prizes are receiving record entries. The reasons behind this growth suggests some shifting dynamics are at play.
The Burner effect, part two – Nevada outdoor museums
ArtsHub continues its trek along the Nevada Art Trail and discovers a wild and wonderful range of outdoor art.
Art world remembers Australia’s oldest painter, Guy Warren
Celebrating the remarkable life and legacy of painter Guy Warren, who died last week.
What a $20 million lifeline for Sydney’s cultural life buys
‘Our creative workforce increasingly can’t afford to live or work here,’ Clover Moore, Lord Mayor. ArtsHub look at the City…
How do you move a 13-tonne sculpture?
Lindy Lee's enormous $14 million sculpture ‘Ouroboros’ makes its way to Canberra with a police escort across three states.
The Burner effect, part one – Nevada murals
The Nevada Free Range Art Highway, where civic walls are bright with murals and out-door museums are the norm, is…
