Uncover the raw truth about prejudice in The Hate Race during its theatrical debut at the Malthouse Theatre. This adaptation of Maxine Beneba Clarke’s acclaimed memoir delves into the complexities of racial discrimination and sheds light on its profound impact on individuals and society.
The story is set against the backdrop of Sydney’s western suburbs in the 1980s and 90s. It transports audiences to a time and place when racism reared its ugly head – the suburb of Kellyville serves as the focal point of the narrative.
From the moment we step into the theatre, we are enveloped in an emotional journey. Carefully curated quotes from Clarke’s book are strategically placed on each seat. Throughout the show, these powerful words serve as a constant reminder of the effects of racism and the need for action. Among the included quotes are ‘This is how it changes us’, ‘This is how we change’ and ‘This is how it breaks’.
As the show begins, it’s the present day and we are in Maxine’s adult life. Then we take a step back in time and can almost sense The Wiggles’ Murray Cook in the room serenading the audience with ‘Hot Potato‘ as Kuda Mapeza expertly strums her guitar. Meanwhile, Zahra Newman begins to gently invite all the characters she will be playing to take centre stage, one by one.
On her way to the school run, Maxine experiences a racially charged moment that throws her back into her childhood. And, just like that, the audience is yanked into a wild ride of themes surrounding casual racism, schoolyard and class bullying, teenage struggles, family dynamics and colonial history.
The co-directors, Tariro Mavondo and Courtney Stewart, ingeniously capture the essence of the memoir with a selection of powerful and dramatic moments. True to the book, the play navigates challenging experiences with zest.
Costume and set designer Zoë Rouse breathes vibrant life into the 1990s era with her meticulous attention to detail. From the stone-washed denim costumes to the retro-themed multi-platform risers, Rouse captures the essence of the era flawlessly.
Rachel Lee’s lighting and Dan West’s composition and sound designs further enhance the immersive experience. The seamless integration of set, lighting, costumes and sound creates a vivid and dynamic backdrop for Maxine’s journey and successfully captures the internal and external turmoil she faces while adding depth and authenticity to the production.
The atmosphere shifts dramatically, reflecting the intricate layers of history and personal struggle, and brilliantly portraying the jarring nature of prejudice and the conflicting experiences it can evoke. It does so through intentionally harsh transitions and impactful lighting and sound design.
The performance and delivery incorporate elements of slam poetry and manage to impart lessons in a non-didactic manner.
The seasoned actor of Lady Day at Emerson’s Bar & Grill, Newman, shines as she embodies each character with grace and depth. She draws the audience into their stories with a profound sense of connection. The multidisciplinary performer and musician Mapeza adds another layer of richness to the production. She brings the sweet melodies of everyday sounds to life through her music and performance. Her contribution to the composition and sound design encompasses the birds singing outside the window, The Wiggles, John Farnham, Des’ree and more.
While the title offers audiences some preparation for what lies ahead, The Hate Race remains confronting and thought-provoking. Ultimately, the play invites the audience to pause, listen and contemplate the profound impact of racial identity.
Overall, The Hate Race succeeds in navigating complex issues with finesse, while inviting reflection and dialogue. It transcends geographical boundaries, touching on universal themes of belonging, finding one’s voice and longing to be seen.
Bring along an open heart, tissues and a reflective mind to fully appreciate the nuanced experience on display.
The Hate Race by Maxine Beneba Clark
Malthouse Theatre
Co-Directors: Tariro Mavondo and Courtney Stewart
Dramaturg: Declan Greene
Set and Costume Designer: Zoe Rouse
Lighting Designer: Rachel Lee
Composer and Sound Designer: Dan West
Stage Manager: Jess Keepence
Community engagement Lead: Amarantha Robinson
Cast: Zahra Newman, Kuda Mapeza
The Hate Race will be performed until 17 March 2024.
