Inspired by the writings of Rilke, Russya Connor has developed a performance that combines the theatrical elements of dance, soundscape and poetry, the classical elements of earth, air and water, and the philosophical elements of internal and external existence. Guided by selected recitations of Rilke, the audience follows Connor on a journey, clinging to the safe havens of close-minded existence and routine, to step forth, to brave the storms and risk the adventures and treasures of the marine and personal depths.
Sea Inside was deeply passionate with many, many layers of inspiration and aspiration. Connor showed impressive bodily control and athletic skill with tissu, as well as graceful confidence in presenting abstract and interpretive tableaux. The immersive soundtrack carried the action from shore to sea and back again, and the lighting and video work had some impressive features, given the physical constraints of the venue.
However, the many interesting and impressive features did not come together to create an enjoyable whole. Further, there were elements that actively detracted from the audience members’ consciousness being raised – the sweet-looking pebble-shaped cushions scattered around the room were uncomfortable to sit on, making it a physical relief that the performance only ran for 30 minutes. The small confines of the room made the smoke machine effects from the storm scene linger, causing some further discomfort. In terms of the performance, Connor’s skills and interest in Rilke are undeniable, but to have her twisting upside down along the tissu, while calling out German lines interspersed with recital of the English translation from a recorded voiceover or alternatively by herself, did no favours either for the poetry or for the physical display.
Overall, I am left with an impression of a keen appreciation of the mystical works of Rilke on the part of Connor, as well as an appreciation for her creative talent. However, as when I attend certain craft markets, I wonder how such skill, intensity and time was turned towards perfecting the theatrical equivalent of a hand drawn dolphin leaping a rainbow… with a ‘deep’ quote in calligraphy underneath it as a caption.
Sometimes a piece tries too hard to convey a sense of the profound, and Sea Inside was one of those times.
Rating: 2 stars out of 5
Sea Inside
Producer and artistic director: Russya Connor
Lighting Designer: Tegan Evans
Lighting Operators: Tony Gordon and Zac Whitcombe
Stage Manager: Harriet Morley
Films: Erez Beatus, Alan Bird and Stefan Otto
Music score and Poster design: Ali Schmidl
Text: Rander Maria Rilke, edited by R. Connor
Performed by Russya Connor
The Blue Room Theatre, Perth Cultural Centre, Northbridge
11 – 29 June
City of Perth Winter Arts Season
www.perthwinterarts.com.au
1 June – 31 August
