Maddy Weeks pontificates on the highs and, more often, lows of growing up queer in a country town, couples therapy and the tale of a rather unfortunate goldfish in It’s All Good.
A young comic who brims with genuine talent and whose star is still on the rise – any audience member who shares similar experiences will ultimately feel seen – Weeks delivers an entertaining performance.
Most importantly, they hold space and makes the audience feel safe while unmasking and delving into some pretty intense life stores.
There is a lot of material here, which translates well, but the familiar trope of comedians being in or needing therapy needs a rest. Had this show taken a more sophisticated approach to its source material, it would have been a far more elevated and nuanced experience.
There is some genuinely funny material; however, there are flaws in the narrative structure, resulting in a confusing arch that swings too widely to really land.
Read: Comedy review: Rob Carlton, Willing Participant, Beckett Theatre, MICF 2025
It’s All Good has potential and the makings of a really powerful hour of stand-up. With more time in development and a greater attention to detail this diamond in the rough could really shine.
Maddy Weeks: It’s All Good will be performed at Paul’s Place at the Melbourne Town Hall until 6 April 2025 as part of the Melbourne International Comedy Festival (MICF 2025).