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Comedy review: Mad C*nts, Meyers Lane, MICF 2025

Satirising the frenetic nature of young, intense 'bestie' friendships, seen through the windows of communication devices. 
Two young women with curly brown hair and holding their glasses askew.

Employing just about every current popular culture reference, with a couple of older ones thrown in for good measure, the two Mad C*nts performers (Madi Chetcuti and Maddison Verduci) are here satirising how female friendship seems to be constructed in this internet-mediated era. 

The opening night audience was completely on side, and there are some very funny ideas – from a shocked conversation about the implications of buying an underwire bra, to including the audience in reading a witty emoji- and ellipsis-laden text exchange about a haircut, this is a show for the generation born with communication devices in their hands at all times. 

Both performers spend a lot of time facing each other so, from a technical point of view, it would be improved by both performers ‘triangulating’ to include the audience, so they hear all the jokes, not just some of them – there are more laughs to be had. Both women also speak quickly and loudly, sometimes tripping over words, so clarity – thus jokes – are lost along the way.

Read: Comedy review: Sara Pascoe, I Am A Strange Gloop, Melbourne Town Hall

It feels as though they have a limited time to fit in all the ideas; there is no let-up of pace, no air for the language to land and the ideas to register for more laughs, which are certainly there to be mined.

Tickets: $22.50-$26.50

Mad C*nts will be performed at 19 Meyers Lane until 13 April 2025 as part of the Melbourne International Comedy Festival (MICF 2025).

Beth Child is a freelance director, writer, dramaturg and actor.