American company Diavolo Dance Theatre present a double bill of breathtaking performance works in Architecture in Motion at the Arts Centre Melbourne from 5-9 February.
Showcasing their unique style of dance, theatre and acrobatics combined with stunning sculptural set pieces, Diavolo’s work is a feast for the eyes, while the themes that these pieces touch upon are an awakening for the soul and a reminder of what it means to be human.
Their first piece, ‘Transit Space’, is inspired by skateboarding cultures and the urban landscape that these inhabit. The frenetic and almost aggressive rhythm of the movement reflects the pressure and busyness of the city, a place that never rests and where the body is always moving. The performers dance alone and together, always searching for each other, while a pre-recorded voice-over offers a narrative that explores themes such as feeling lost, the need for human contact and the disconnect that is felt in our digital world.
Despite the feeling of longing within these themes, this piece is fast paced and incredibly energetic, revealing some remarkable talent on the stage. It’s also accompanied by a rocking guitar soundtrack that, along with the skateboarding aesthetic, will win over anyone who has ever lived, or dreamed of, a rebellious youth.
After the intermission, Architecture in Motion continues with ‘Trajectoire.’ In contrast to the first half of the night, this is an entirely different experience. The urban set has transformed to become an enormous rolling platform that now conjures up images of oceans and boats being tossed around in rough waves. With a gentle, melodic soundtrack to replace the guitars, and performers dressed in white, this is a piece that speaks of emotions and uncertain journeys.
The platform here is an outstanding piece of set – literally a piece of architecture-in-motion, which defines this second piece and creates a unique visual experience. As if it were a giant see-saw, it rolls back and forth, creating a precarious stage on which the performers dance, move and perform daredevil acrobatics. The most tremendous move of the night involves a performer flying off from this platform at a great height to be caught by her fellow dancers below, an impressive feat that warrants a few gasps from members of the audience.
The set pieces are powerful and create Diavolo’s distinct style. However, it is how the performers interact with the sets that create a truly spectacular show. The set pieces shift and move throughout the two performances, coming together or being brought apart, with panels removed and positions switched. The performers themselves connect with the set in every possible way, moving across, under, over, through and in any other feasible direction in which to showcase their undeniably extraordinary moves.
Architecture in Motion is an excellent opportunity not only to see this international work, but to witness a performance that is particularly unique in its design and in its exploration of movement. The performers and the architectural set are captivating, stretching the limits of the human body and creating a stage so vibrant and alive, that it is impossible to take it all in with one look.
Architecture in Motion is only on until the 9 February, so make sure that this is one show that you catch before it’s too late.
Rating: 5 stars out of 5
Architecture in MotionArtistic Director: Jacques Heim
The Company: Dusty Alvarado, Ana Carolina Brotons, Leandro Damasco Jr, Alicia Garrity , Brandon Grimm, Ali Hollowell, Shauna Martinez, Ezra Masse-Mahar, Jennifer Olivas, Omar Olivas, Chelsea Pierce, Amy Tuley, Garrett Wolf
Arts Centre, Melbourne
www.artscentremelbourne.com.au
5-9 February