Image supplied by La Boite.
When a director of a play admits their play is one where nothing much happens, there may be a cause for concern. However, when it comes to La Boite’s new offering, therein lies its overwhelming charm.
Speaking after the opening night performance of 4000 Miles director Anthony Skuse comments that it was when the words were performed that this story came fully alive for him. While this may seem to suggest the source material is lacking (it’s not – the play was a finalist in the 2013 Pulitzer Prize for Drama) it is more praise for his talented performers, led by the experienced Diana McLean (veteran of stage and screen including Neighbours and The Young Doctors).
The story begins with young and angry Leo lugging his bicycle to his grandmother Vera’s apartment at 3am in the morning needing a place to stay for the night. This one night turns to a few weeks and eventually a month. In that time, they develop a special bond.
Essentially a two-hander that is set in Vera’s New York apartment, the play explores the developing relationship between a grandmother and her grandson by delving into intergenerational differences and similarities.
Written by Amy Herzog, the character of Vera is based on her own grandmother; a figure involved in left-wing political causes, Jewish – and, if the character is to be a guide – funny, pragmatic and willing to give advice.
While the central relationship is the main focus, politics – be it family politics, national or ideological – is also a major source of the narrative; as is Leo’s cross-country bike journey (hence the name 4000 Miles) and his exploration of his own political views. He has arrived at his grandmother’s place carrying a heavy burden – one he is not able to share with his worried mother, adoptive sister or withdrawing girlfriend.
Charming and bittersweet, unexpectedly crass and humorous, the play is also refreshing in its portrayal of a ‘senior citizen’ as a bright and vital character with McLean stealing the show. Nevertheless, Stephen Multari also warms to his role of a somewhat troubled young man.
The overall staging of the piece is also interesting, with the two supporting actors (Aileen Huynh in two roles and Joanna Downing as Bec) becoming part of the apartment where they hand Vera cups of tea and a change of shirt for Leo.
Jolting at first – the device soon develops its own charm, much like the whole play itself.
Rating: 4 out of 5 stars
4000 Miles
Presented by La Boite Indie and MopHead & Catnip Productions with the support of QPAC
Written by Amy Herzog
Produced by Cat Dibley
Directed by Anthony Skuse
Set and costume design by Gez Xavier Mansfield
Lighting designed by Sara Swersky
Performed by Diana McLean, Stephen Multari, Aileen Huynh and Joanna Downing
La Boite Theatre, 6-8 Musk Ave, Kelvin Grove Village
www.laboite.com.au
30 April – 17 May
