As the Biennale of Sydney settles into its 13-week run, some of the noise around its opening has started to settle beyond buzz – and to register as real impact.
One example is an expanded partnership with Fondation Cartier pour l’art contemporain, which has enabled the delivery of 14 new artworks by First Nations artists. It is not the first time the Fondation has supported the Biennale – or, indeed, a major organisation has enabled transformative change (we only need to think of the Biennale’s founding partner Transfield).
