What I learned from 12 years at Sydney Fringe Festival: Kerri Glasscock

As she leaves Sydney Fringe to take up the reins as Executive Director of Create NSW, Glasscock shares some of her key learnings from her time at the Fringe with ArtsHub.
A fair-skinned woman with curly red hair looks quizzicaly at the camera, one eyebrow slightly raised and a playful expression on her face. She wears a formal black jacket over a light blue blouse, which is unbuttoned, giving her a somewhat devil-may-care attitude. This is Kerri Glasscock, the outgoing Director and CEO of Sydney Fringe Festival.

After 12 years as the CEO and Festival Director of Sydney Fringe Festival – during which time the Fringe has grown from a small community event into New South Wales’ largest independent arts festival, featuring 2000 artists, attracting over 100,000 audiences and contributing over $34 million in economic impact to the city – Kerri Glasscock has decided it’s time to call it a day.

Her decision to move on – and her appointment as the new Executive Director of Create NSW, the NSW State Government’s arts and cultural driver – was announced earlier this year. In the intervening months, Glasscock has assembled the program for her final Sydney Fringe – including new programs focused on independent works from Canberra and Wollongong creatives and, of course, cerebrating the work of Sydney’s thriving independent artists across a rich array of art forms.

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Richard Watts OAM is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM. Richard is a life member of the Melbourne Queer Film Festival, a Melbourne Fringe Festival Living Legend, and was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize in 2020. In 2021 he received a Lifetime Achievement Award from the Green Room Awards Association. Most recently, Richard received a Medal of the Order of Australia (OAM) in June 2024. Follow him on Twitter: @richardthewatts