The rise of the romantasy genre, feminist fantasy and diversity in literature

With increasing positive depictions of Asian women in the media, it's time to also centre them in the romantasy genre.
Young Asian woman is sitting at a desk with a book open in front of her but gazing off to the right as if lost in thought. Romantasy.

I was in high school the first time I ever saw an Asian woman play a lead role in a major TV show. And it was not until I was well into my 30s before I came across a female Asian main character in a fantasy book. In the books, shows and films of my youth, Asian characters were rare; if one was present, they were almost always the unattractive, nerdy sidekick.

While I perhaps didn’t realise it at the time, the lack of Asian representation in mainstream Australian media had a profound impact on my sense of self – and my acceptance (or lack thereof) of my cultural identity. I used to dream of going to sleep one night and waking up blonde-haired and blue-eyed, just so I could fit in better with kids at school. Growing up, being Asian made me feel like an outsider, and somehow lesser-than.

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Keshe Chow won on the 2020 Perito Prize, the 2021 Rachel Funari Prize for Fiction, the 2021 Yarra Literature Prize, the 2022 Victorian Premier's Prize for an Unpublished Manuscript, and the 2023 Uncharted Thrilling Story Award. Her debut novel, 'The Girl with No Reflection' is inspired by Chinese mythology and uniquely combines fantasy, romance and horror elements. It has been featured as a Publishers Marketplace Buzz Book, and will be published simultaneously in August 2024 in Australia, the US and the UK.