What kind of advocacy will create change? Photo by Kevin Grieve on Unsplash.
This year I’ve worked with a range of artform, cultural and place-based organisations, informal sector groups and formal consortia, as well as peak bodies across Australia, to develop a diverse array of advocacy approaches.
Great advocacy, however, doesn’t need formal planning, and nor is it something we only switch on come election time. Great advocacy is an ongoing conversation that strengthens our communities by strengthening our voices.
Esther Anatolitis is one of Australia’s most influential advocates for arts and culture. She is Editor of Meanjin, Honorary Associate Professor at RMIT School of Art, and a member of the National Gallery of Australia Governing Council. Esther has led arts and media organisations across all artforms, including Express Media, the Emerging Writers' Festival, Craft Victoria, SYN Media, Melbourne Fringe, Regional Arts Victoria and NAVA. Her consultancy Test Pattern focuses on creative practice, policy and precincts, as well as advocacy and public value.
A hallmark of Esther’s arts leadership career has been her tenacious civic engagement, ensuring that artists’ voices and arts issues feature prominently on political agendas. This work has ranged from strategic development and private advice to public events, regional marginal seat forums, candidates’ debates, specialist workshops and Australia’s first advocacy training program for the arts. A prolific writer, Esther’s work regularly appears in literary journals, newspapers, and arts and design media, and she is a regular Arts Hub columnist. Her book Place, Practice, Politics is published by Spurbuch.
Follow Esther on Twitter: @_esther.
