What are the considerations of language and presence when conducting research on Indigenous art? Is there a space for Indigenous researchers and how can the field facilitate authentic narratives outside the colonialist canon?
These and other questions were discussed at the recent Disruptions symposium, Indigenous Art Research: Respect and Relation.
Hosted by The Power Institute, Deputy Director Stephen Gilchrist facilitated a conversation with the winners of the Power Publications Dissertation Prize for Indigenous Art Research: Catherine Massola, Mathieu Gallois, and Jonathan Jones.
