Hilma af Klint: should art be for the public, despite the artist’s wishes?

A disparate voice from the Hilma af Klint Foundation hopes to fulfil the artist's legacy by making her work available only to spiritual knowledge seekers.
An exhibition of large paintings depicting circular shapes with vibrant colours, while four viewers look on.

Hilma af Klint (1862-1944) is one of the most significant 19th/20th century abstract painters in the Western art history canon, but exhibitions and public access to her works may soon cease. Chairman of the Hilma af Klint Foundation, Erik af Klint, also the artist’s great grandnephew, has indicated that this is what the artist would have wanted, based on a close reading of the Foundation’s statutes.

Af Klint was deeply involved in spiritualism during her lifetime, an exploration reflected in her artistic practice as well as her life. In an interview with Swedish publication Dagens Nyheter, Erik af Klint has insisted that the artist’s work “is a message from the spirit world”, and “when a religion ends up in a museum, it is dead”.

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Celina Lei is ArtsHub's Content Manager. She has previously worked across global art hubs in Beijing, Hong Kong and New York in both the commercial art sector and art criticism. She took part in drafting NAVA’s revised Code of Practice - Art Fairs and was the project manager of ArtsHub’s diverse writers initiative, Amplify Collective. Celina is based in Naarm/Melbourne. Instagram @lleizy_