Ghostwriting: what happens behind the cover?

Invisible ghostwriters slink behind-the-scenes, often hiding behind the name of the published author, but their work should be heralded.

What exactly is ghostwriting? What are the challenges and nuances of writing on behalf of someone else? ArtsHub speaks to two ghostwriters to demystify the craft of this specialised form of writing – a kind of surrogate authorship – and to clarify some of its more opaque elements.

Hutchinson first started out as a ghostwriter when contacted by a publisher to help with Richard Wilkins’s book Black Ties, Red Carpets, Green Rooms (2011) (BTRCGR). She recalls this experience as being her favourite. ‘Richard was really engaged and would think about each story he wanted to tell before each of our phone catch-ups. It took us a little while to get it all down because of his hectic schedule, but the result was excellent.’

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Thuy On is the former Reviews and Literary Editor of ArtsHub and an arts journalist, critic and poet who’s written for a range of publications including The Guardian, The Saturday Paper, Sydney Review of Books, The Australian, The Age/SMH and Australian Book Review. She was the Books Editor of The Big Issue for 8 years and a former Melbourne theatre critic correspondent for The Australian. She has three collections of poetry published by the University of Western Australian Press (UWAP): Turbulence (2020), Decadence (2022) and Essence (2025). Threads: @thuy_on123 Instagram: poemsbythuy