From true crime to post-colonialism: Sydney Festival launches its 2025 season

Olivia Ansell’s final Sydney Festival as Director grapples with big questions and has factored the cost of living crisis into its planning from the get-go.
'A Modern Murder' at Sydney Festival is sure to be a 2025 program highlight. A blonde woman in a short-sleeved red dress and red hat smiles flirtatiously from the dock in an old-fashioned courtroom. A swarm of photographers and radio-men crowd around her.

“Rediscovering your city differently has been absolutely one of the key pillars of my time here at Sydney Festival,” says Festival Director Olivia Ansell. “It’s something that I really wanted Sydneysiders and visitors to this city to experience. How can we tell authentically Australian stories, Sydney stories, Gadigal stories in unusual locations, in different ways?”

Just as previous editions of Ansell’s Sydney Festival have encouraged festival-goers to experience an underwater gig at an iconic swimming pool, transformed Sydney Town Hall into an indoor beach, and invited audiences into the Harry Seidler-designed Commercial Travellers’ Association Club in Martin Place (a building known colloquially as ‘the mushroom’) to experience lucid dreaming during an overnight stay, this year’s program once again invites audiences to see the familiar streets and gardens of the NSW capital anew.

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Richard Watts OAM is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM. Richard is a life member of the Melbourne Queer Film Festival, a Melbourne Fringe Festival Living Legend, and was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize in 2020. In 2021 he received a Lifetime Achievement Award from the Green Room Awards Association. Most recently, Richard received a Medal of the Order of Australia (OAM) in June 2024. Follow him on Twitter: @richardthewatts