Doing it again: should you remount your work?

Independent theatre practitioners discuss the challenges and benefits of restaging already successful productions.
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Publicity image for SHIT via www.fortyfivedownstairs.com

Live performance is an ephemeral art, especially in the independent theatre sector where work, once staged, is often never seen again despite the months, even years of labour leading up to each production.

Bucking the trend, this month sees a range of works being remounted in Perth and Melbourne (with one production, Tales of a City by the Sea, also touring to Adelaide and Sydney later in the year); a rare opportunity to fine-tune scripts, further finesse performances and design elements, and expose new audiences to the ideas of some of our most exciting stage talents.

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Richard Watts OAM is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM. Richard is a life member of the Melbourne Queer Film Festival, a Melbourne Fringe Festival Living Legend, and was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize in 2020. In 2021 he received a Lifetime Achievement Award from the Green Room Awards Association. Most recently, Richard received a Medal of the Order of Australia (OAM) in June 2024. Follow him on Twitter: @richardthewatts