Can you sustain a studio practice in Tasmania?

Weighing up the challenges with the wins, ArtsHub speaks with four artists on placing their studio practice in Tasmania.
Female painter in blue overalls in studio setting. Meg Walch. Tasmania.

Earlier this month, artist Zoe Grey was awarded the 2024 Hadley’s Art Prize. It was not only affirmation for the artist in her late twenties, but its $100,000 winnings will allow her to build a new studio – further entrenching her commitment to making in Tasmania.

Speaking with Grey, ArtsHub learns she will use her prize winnings to build a studio in the remote town of Marrawah – six hours from Hobart on the north-west coast – effectively making her studio practice more “isolated”.

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Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina