Hugo Weaving and Richard Roxburgh in Sydney Theatre Company’s Waiting For Godot. Image: Lisa Tomasetti
When Manda Flannery applied to three performing arts programs starting in 2015, she landed first and second round auditions for all of them. Now biding her time as she waits to receive formal offers, Flannery said the waiting game is ‘infuriating’. ‘It’s really hard, especially when you know the date to be expecting a call,’ she said.
