ArtsHub speaks with three artists at different stages of their careers about what it means to change the direction of an arts practice, whether a distinct style still matters and practical tips on the transition.
‘Drag was never the only thing I do, even when it became the most distinct part of my practice after the 2020 NGV Triennial,’ says Hong Kong-born artist Scotty So. The masked divas in traditional Chinese cheongsam are perhaps how many have come to know So and his works, which often incorporate drag, costumes and live performances.
