Writing and Publishing
No northern lights for Dark Mofo
The winter festival’s plans for a Launceston program have been cancelled due to the lack of a sustainable business model.
The Art of Branding
Should financially strapped arts organisations be spending money on developing brand identity? ArtsHub reports on SAMAG's latest conversation with industry…
Vivid Sydney a city highlight
With the launch of the Vivid Sydney program, the annual event promises to be bigger and brighter than ever before.
2014 Adelaide Fringe breaks box office records
Ticket sales up by 10% at this year’s Fringe, cementing its place as Australia’s largest arts festival.
Matterhorn
For Fred and Theo on the precipice of a tender camaraderie, happiness – not acceptance – is all that matters.
Joseph and the Amazing Technicolour Dreamcoat
The sheer joie de vivre of the cast was breathtaking.
Adelaide Festival box office generates $2.3 million
Final audiences at David Sefton’s second Adelaide Festival program tipped to exceed 348,000.
Overseas experience still a resume assumption for actors
Mark Morrissey shares the career path for actors lucky enough to be represented by him, noting overseas experience is standard…
Night Writing
Kathryn Lomer seeks to bring us into her world with thoughts as unique as individual fingerprints.
Kate Miller-Heidke: O Vertigo
The sometimes-opera-singer uses her voice, occasionally with the aid of body percussion, to create unique and adventurous sounds.