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Book review: A Line in the Sand, Red Room Poetry

A sample of 20 years of Australian poetry is showcased in this wide-ranging anthology.

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Book review: At Midnight, edited by Dahlia Adler

A collection of remixed and modernised fairy tales.

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Book review: The Hummingbird Effect, Kate Mildenhall

Four time lines that stretch from the past into the future follow characters as they navigate events beyond their control.

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Book review: Inkflower, Suzy Zail

For YA readers and older, this book touches on the story of a Holocaust survivor, interlaced with more current dramas…

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Book review: Wifedom: Mrs Orwell’s Invisible Life, Anna Funder

Conspicuously missing from male-centric biographies, Eileen O’Shaughnessy is the true Orwellian hero.

A close-up photo of a typewriter, the keys of which prominently display the word 'STORY' instead of the usual letters.
News

Returning festival aims to make playwrights more visible

The second annual Australian Playwrights’ Festival, presented by Currency Press, will be held in Sydney in late August.

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Opportunities and awards

New international funding opportunities, plus winner of the 2023 Griffin Award for playwriting and finalists of Bowness Photography Prize, and…

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From calling to career: mastering the art of writing for stage and screen

Playwright and screenwriter Emme Hoy describes how NIDA’s Master of Fine Arts (Dramatic Writing) helped her hone her craft and…

Illustration with a person wearing a red hood standing against a smoky background with large blocks of red and grey. The atmosphere is dystopian.
Opinions & Analysis

Is fear around AI doing more harm than good?

Our anxiety is pitching artists against AI when collaboration and exploration are what's needed.

Radically rehumanising: Kate Larsen’s Public. Open. Space. 

Kate Larsen’s work radically rehumanises the institutions that shape our lives.

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