Writing and Publishing
How IACA is strengthening regional representation of Indigenous artists
Indigenous artists want to be included in conversations, conferences and policy-making decisions involving their work and culture. Here’s how we…
Are bricks and mortar necessary to building culture?
Australia’s cultural sector is in a building boom. A recent SAMAG panel, however, discussed the realities of mounting a redevelopment,…
On the Move: latest appointments and resignations
New appointments for National Art School, WASO, WAAPA, Musica Viva, Sydney Theatre Company, Expressions Dance Company, and more.
Entries open for $20,000 Gallipoli Art Prize
Entrants are encouraged to respond to the values of Gallipoli, including loyalty, respect, love of country, courage and comradeship.
Career spotlight: Art Teacher
Three visual arts teachers, each with very different career paths, and very different teaching scenarios, take the pulse on art…
Shadow Arts Minister loses seat
After a drawn-out vote count, Heidi Victoria this week formally acknowledged her loss in the Victorian seat of Bayswater, leaving…
Peak body for performing arts touring calls it a day
Changes to the sector, coupled with funding strictures and the need to avoid duplicating services, have led to the Performing…
Review: Mad, Bad, Dangerous to Know by Colm TóibÃn
By picking the fathers he did, TóibÃn has made a brilliant choice and has produced an exceptional biographic work.
New report outlines prohibitive restrictions on use of creative spaces
Sydney Fringe Festival has launched An Anthology of Space 2015-2018, a report that proposes solutions to overcome the onerous red…
Applause: latest funding and awards announced
2018 Ruby Award winners celebrate, Disability Internships announced across key NSW creative institutions, Carclew awards over $200,000 in arts funding,…