Writing and Publishing
Seeing is believing at EXPONIDA 2019
The talent, rigour and creativity of NIDA’s Master, Bachelor of Fine Arts and Vocational Diploma students are displayed in this…
On the Move: Latest sector appointments and departures
New Director for Canberra Theatre Centre, Christie Anthoney leaves Festivals Adelaide, Chairs reshuffled and more.
9 tips for writing the perfect job ad
Writing an arts job ad doesn’t have to be a headache. As both a recent applicant and advertiser of jobs,…
NSW government funds $1m worth of projects for creatives
NSW Arts Minister Don Harwin has announced a $1m funding package to support artists with a range of fellowships and…
Learning from failure: Why doing a U-turn is OK
Embracing failure is one of the hardest challenges we face as professionals. How we communicate about and use those failures…
Can we ever make waste-free art?
From upcycling to reducing packaging, artists look at how they can limit the damage their work does to the environment.
New $100,000 Generations Fellowship open to contemporary musicians
In a new industry partnership, Powerhouse Museum is calling for early career musicians to apply for a suite of Fellowships…
ICYMI: The week's art news in brief
OzAsia Festival receives SA Tourism award, Sydney Modern Project kicks off with groundbreaking ceremony, major Louise Weaver exhibition unveiled, plus…
Four year funding applications submitted: what next?
After a gruelling application process, the 162 organisations invited to apply for four-year funding from the Australia Council for the…
Why open access won’t work for UWA Publishing
The decision to move UWA Publishing to an open access model is an experiment doomed to fail writes Emmett Stinson.