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Call me Shorty

The movie script that changed my life wasn’t Howard Koch’s Casablanca. And it wasn’t Charlie Kaufman’s Adaptation. Neither was it…

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A reason for gratitude and hope

Everett Quinton, star alumnus and artistic director of the Ridiculous Theatrical Company, shares stories from his early days as an…

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Writing In The Desert

Writer Jan Cornall tells how the red trees and orange canyons of the West MacDonnell Ranges inspired her imagination, and…

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LIT BITS: The publishing glass ceiling

A report recently published by Thorpe-Bowker, the Bloom Report, claims that there is a glass ceiling for women in Australian…

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Opinions & Analysis

Fortune favors the prepared mind

I am an incredibly lucky individual - I get to spend my life creating meaningful cultural objects and, on the…

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Extraordinary Aliens: A guide to living in America as a foreign artist

For all of America’s political failings, braggadocio, and cultural frothiness, the fresh desire to start a new life, embodied by…

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Forever Blowing Bubbles

ARTS HUB UK — It’s big, it’s red and it’s changing the way artists see themselves and each other. Welcome…

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Opinions & Analysis

Memorable May

According to the Library of Bizarre May Holidays at thinkquest dot com, last month was Better Sleep Month, National Good…

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Busking Beauty

ARTS HUB AUSTRALIA — Karla Dondio interviews a range of buskers to find out what's in it for the people…

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Holding the Man: from Book to Play and Beyond

ARTS HUB AUSTRALIA — David Berthold tells Arts Hub how he and playwright Tommy Murphy helped bring Timothy Conigrave's 1995…

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