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Exhibition review: Tom Moore, Abundant Wonder, Glenelg

With whimsical storytelling and tech wizardry, Tom Moore reinstates the sense of wonder in exhibition making.

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Exhibition review: Ingrid Morley, Orange Regional Gallery

Bold elegant sculptures made from farm machinery talk about loss and renewal, in the hands of artist Ingrid Morley.

Teal coloured promotional sign with word MÃŒNH in bold capital letters, in front of trees.
Features

Complicating Vietnamese diaspora stories for the better

A look into how the ‘MÌNH’ exhibition challenges notions of a monolithic Vietnamese identity through art and writing.

A wall filled with colourful images in A5 size. Standing in front is a person with long brown hair and a brown jacket.
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Incognito art sale where everything goes for $100

More than 3500 works are still up for grabs from the Incognito Art Show, with funds going to two studios…

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Festival review: Illuminate Adelaide, from Arborialis to City Lights

Bringing light to Adelaide in the depths of winter, Illuminate is a relatively young festival that’s already making its mark.

A milkway shot against a landscape with metal structures like satellites.
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Museums spearhead production in VR films

Three trans-Tasman museums invest a total of $1 million for WA-based White Spark Pictures to develop new VR documentaries.

Illustration with a stem of red flower in the centre against a grassy field and blue sky. Behind the flower are objects hanging from the sky, including a book, shoe, and guitar.
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Opportunities and awards

Matched fundraising programs inviting applicants, mentoring for diverse writers, plus winners of Footscray Art Prize, and finalists across the arts.

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Peers and portals

A triptych of vignettes about three of Sydney’s emerging oil painters and their voyages of identity.

Two self-portrait paintings by Frida Kahlo, presented side by side
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Why does Frida Kahlo’s fame outshine other women artists?

Audiences are currently in the grip of ‘Frida fever’ thanks to a blockbuster show at AGSA. But why does this…

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Exhibition review: Kayannie Denigan, Belconnen Arts Centre

‘Reflections of Country’ creates a space for Aboriginal women to connect with audiences and share their perspectives.

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