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Illustration with a person wearing a red hood standing against a smoky background with large blocks of red and grey. The atmosphere is dystopian.
Opinions & Analysis

Is fear around AI doing more harm than good?

Our anxiety is pitching artists against AI when collaboration and exploration are what's needed.

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Empowering mid-career artists to create bold new work 

The journey of an artist often requires a "day job" to maintain the freedom to pursue their creative practice. By…

Acrylic painting depicting a earthy toned environment. On the right hands side is a small hill with trees and the left view opens out to a serene lake.
News

Opportunities and awards

Carclew grants for SA young creatives, glass artist heads to Japan, longlist for the 2023 ABR Elizabeth Jolley Short Story…

New Mineral Collective - Pleasure Prospects. Photo courtesy of the artists
Features

Highlighting the crucial role the oceans play in our belonging

How the UQ Arts Museum is helping us to appreciate the issues surrounding the health and sustainability of our oceans.

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Exhibition review: A Soft Touch, 4A

A rich and nuanced exhibition that looks at the medium of contemporary textiles within an Asian diaspora and cultural heritage.

News

Remembering gallerist Tim Klingender

The visual arts sector mourns the tragic death of gallerist Tim Klingender.

Features

Live from Berlin: first interview with 2024 Biennale of Sydney curators

Inti Guerrero and Cosmin CostinaÈ™ are placing joy as a mechanism for resistance and resilience at the heart of their…

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How touring exhibitions benefit artists

With the exhibition 'WILAM BIIK' making its fourth stop at Dandenong’s Walker Street Gallery and Arts Centre, artist Paola Balla…

A clock face that is warping and dissolving on the right into its dark background.
Features

Radical access: the future of access in the arts

Stellar thinkers and doers gather to consider radical access and the future of an inclusive arts industry.

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Exhibition review: Daniel Mudie Cunningham, Wollongong Art Gallery

Daniel Mudie Cunningham's survey exhibition is a lesson in celebrating becoming.

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