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New Mineral Collective - Pleasure Prospects. Photo courtesy of the artists
Features

Highlighting the crucial role the oceans play in our belonging

How the UQ Arts Museum is helping us to appreciate the issues surrounding the health and sustainability of our oceans.

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Exhibition review: A Soft Touch, 4A

A rich and nuanced exhibition that looks at the medium of contemporary textiles within an Asian diaspora and cultural heritage.

News

Remembering gallerist Tim Klingender

The visual arts sector mourns the tragic death of gallerist Tim Klingender.

Features

Live from Berlin: first interview with 2024 Biennale of Sydney curators

Inti Guerrero and Cosmin CostinaÈ™ are placing joy as a mechanism for resistance and resilience at the heart of their…

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How touring exhibitions benefit artists

With the exhibition 'WILAM BIIK' making its fourth stop at Dandenong’s Walker Street Gallery and Arts Centre, artist Paola Balla…

A clock face that is warping and dissolving on the right into its dark background.
Features

Radical access: the future of access in the arts

Stellar thinkers and doers gather to consider radical access and the future of an inclusive arts industry.

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Exhibition review: Daniel Mudie Cunningham, Wollongong Art Gallery

Daniel Mudie Cunningham's survey exhibition is a lesson in celebrating becoming.

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Exhibition review: Tom Moore, Abundant Wonder, Glenelg

With whimsical storytelling and tech wizardry, Tom Moore reinstates the sense of wonder in exhibition making.

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Exhibition review: Ingrid Morley, Orange Regional Gallery

Bold elegant sculptures made from farm machinery talk about loss and renewal, in the hands of artist Ingrid Morley.

Teal coloured promotional sign with word MÃŒNH in bold capital letters, in front of trees.
Features

Complicating Vietnamese diaspora stories for the better

A look into how the ‘MÌNH’ exhibition challenges notions of a monolithic Vietnamese identity through art and writing.

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