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Some like it not at the Musée d’Orsay

Gustave’s erotic masterpiece is enacted, Cindy Sherman does an app, but the YBAs don’t do Russia – catch our latest…

Opinions & Analysis

The politically correct sovereign and I

The ideological curmudgeons have been out in force in the arts this week reflecting on the arrival of The King…

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Joe Felber: Kontaktraum Ausländer (Space of Contact_Foreigner)

Migration, displacement and homeland have been articulated in this exhibition through the eyes of an explorer.

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DesignCrowd snaps up US creative contest site

The design online sales firm is ramping up its global presence with the acquisition of Worth1000 -- and more than…

News

BHP money ignites WA arts

Artsource WA has achieved funding for a new program that will provide grants to young artists and document what they…

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Cover story: why are books so expensive in Australia?

"Pricing to formula" has given way to "pricing to Amazon" so why can an Australian bookseller charge $40 for a…

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Adelaide Fringe delivers $66.3 million economic impact

The 2014 festival saw a 10% increase in ticket sales and a 5% increase in audience figures.

Features

White cube to auction block: is it ethical value adding?

Lending an artwork to a museum exhibition bolsters its provenance but is it also being used to drive up the…

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The best places to sell craft

Despite the growth in online opportunities, galleries and markets are still the favoured outlets for buying craft.

News

More people went to Vivid than live in Adelaide

Vivid Sydney breaks its 2013 attendance and sets a new record defining this festival of light, music and ideas internationally.

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