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Exhibition review: A Soft Touch, 4A

A rich and nuanced exhibition that looks at the medium of contemporary textiles within an Asian diaspora and cultural heritage.

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Remembering gallerist Tim Klingender

The visual arts sector mourns the tragic death of gallerist Tim Klingender.

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Live from Berlin: first interview with 2024 Biennale of Sydney curators

Inti Guerrero and Cosmin CostinaÈ™ are placing joy as a mechanism for resistance and resilience at the heart of their…

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How touring exhibitions benefit artists

With the exhibition 'WILAM BIIK' making its fourth stop at Dandenong’s Walker Street Gallery and Arts Centre, artist Paola Balla…

A clock face that is warping and dissolving on the right into its dark background.
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Radical access: the future of access in the arts

Stellar thinkers and doers gather to consider radical access and the future of an inclusive arts industry.

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Exhibition review: Daniel Mudie Cunningham, Wollongong Art Gallery

Daniel Mudie Cunningham's survey exhibition is a lesson in celebrating becoming.

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Exhibition review: Tom Moore, Abundant Wonder, Glenelg

With whimsical storytelling and tech wizardry, Tom Moore reinstates the sense of wonder in exhibition making.

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Exhibition review: Ingrid Morley, Orange Regional Gallery

Bold elegant sculptures made from farm machinery talk about loss and renewal, in the hands of artist Ingrid Morley.

Teal coloured promotional sign with word MÃŒNH in bold capital letters, in front of trees.
Features

Complicating Vietnamese diaspora stories for the better

A look into how the ‘MÌNH’ exhibition challenges notions of a monolithic Vietnamese identity through art and writing.

A wall filled with colourful images in A5 size. Standing in front is a person with long brown hair and a brown jacket.
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Incognito art sale where everything goes for $100

More than 3500 works are still up for grabs from the Incognito Art Show, with funds going to two studios…

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